Rel Acoustics, Serie HT, HT 1510 MK II, Subwoofer Speaker (Black)

Predator II confidently delivers massive upgrades in design elegance, performance and execution of every detail in cabinet design. Beauty, in this case, isn’t skin deep. We start by using right-sized cabinetry, beautifully executed in horizontally line-grained black with a subtle sheen that evokes state of the art amplifiers. This brings to the HT range the same sleek, elegant proportions used in our Reference models at a fraction of the price. REL designs benefit from incorporating integral engineering solutions throughout their designs. Check out our BrilliantBrace™. Employed inside each HT/1510, it cradles the rear of the driver to eliminate shipping damage, quiets and redirects energy normally trapped in the driver, and quiets top, bottom and both sidewalls of the cabinet. Brilliant. And the full depth rails used to support and reactively brace against the powerful movements such a powerful subwoofer can produce, also means Predator II can be stacked in Line Arrays of 3/channel for the ultimate in home theatre, to carry performance up the entire height of massive projection screens.

If 800 watts wasn’t enough for you, surely the 1,000-watt Class A/B linear power supply amplifier in the new Predator II will cure what ails you. Featuring (4) x 400-watt mosfets and a monster power supply—it’s critically important to have massive current reserves for when the explosions and special effects hit. Predator II’s amplifier brings massive power with almost limitless reserves. This creates huge output that is available instantly, almost dismissively, and is delivered in the effortless manner worthy of the lead dog in the HT family.

COMBINED WITH PREDATOR II UTTERLY TRANSFORMS HOME THEATRE

For the first time wireless High Level Input is made available to owners of Predator II. When combined with REL’s newest Airship II, the latest state of the art Texas Instruments ADC-DAC chips and REL’s world- famous High Level Input circuitry, permit Predator II owners to add High Level Inputs driven off one’s main amplifier outputs. When one’s receiver or av processor is set properly, this delivers professional transfer studio sound, sound that delivers rich, full range sound, at all times. Not the thin strained but once-in-awhile-something-goes-bang sound that annoys in traditional home theatre.